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Legendary musician and producer Edgar Winter, known for the genre-defining hits “Frankenstein” and “Free Ride,” recently credited the Dangerous MONITOR-ST with reviving his studio’s sonic clarity—and his creative momentum.
Dangerous Compressor delivers polished, open sound and unmatched clarity—even under heavy compression. Now it’s MixbusTV-approved.
Join us at Superbooth 2025 in Berlin and experience the power, precision, and analog soul behind the world’s most trusted mixing and mastering gear.
A detailed, hands-on review praising the CONVERT-AD+ and CONVERT-2 for their usability, sonic clarity, and tasteful analog color.
Vintage King’s latest guide walks through system setup, calibration, and best practices for building an immersive system using Dangerous Music and Ex Machina monitors.
Join marek stycos Saturday, 21 Oct at 6pm at Atlantis Studio Amsterdam for an intimate exploration of the modern hybrid workflow with Dangerous Music and Chameleon Labs
Legendary musician and producer Edgar Winter, known for the genre-defining hits “Frankenstein” and “Free Ride,” recently credited the Dangerous MONITOR-ST with reviving his studio’s sonic clarity—and his creative momentum.
Dangerous Compressor delivers polished, open sound and unmatched clarity—even under heavy compression. Now it’s MixbusTV-approved.
Join us at Superbooth 2025 in Berlin and experience the power, precision, and analog soul behind the world’s most trusted mixing and mastering gear.
A detailed, hands-on review praising the CONVERT-AD+ and CONVERT-2 for their usability, sonic clarity, and tasteful analog color.
Vintage King’s latest guide walks through system setup, calibration, and best practices for building an immersive system using Dangerous Music and Ex Machina monitors.
Whether working on a solo voice or a complete stereo mix, the COMPRESSOR reigns in the dynamics effortlessly and naturally and, in many cases, so well that I questioned whether it was switched in!
Join marek stycos Saturday, 21 Oct at 6pm at Atlantis Studio Amsterdam for an intimate exploration of the modern hybrid workflow with Dangerous Music and Chameleon Labs
Upgrade your vintage D-BOX or 2-BUS-LT to today’s cutting edge sonics with this limited time trade in and trade up program
The Audio Engineering Summit for the Carolina's invites independent audio engineers looking to grow in their career as a professional.
The Audio Alchemist Roadshow is rolling into a studio near you! Get your hands on the tonal twisting and taming tools that only Dangerous Music can bring to the party.
I’ve loved working with the 2-BUS-XT… I still hear a benefit when using good outboard. Once I’m there, it’s great to have the option of ultra‑clean, quiet summing, and it doesn’t get cleaner and quieter than this.
When you have gear that you can trust, your brain just executes ideas and you get into a creative flow. When you get into the mixing flow, you can work faster because you trust your feelings instead of thinking about the technical side.
Join us Tuesday September 6 in Berlin or Thursday September 8 in Cologne to reveal Hi Def conversion, summing, monitoring & outboard featuring Dangerous Music and Audio Outlaw marek stycos
The 2-BUS-XT 16 channel analog summing mixer leverages identical technology from the hybrid studio game-changing 2-BUS+ to sum your music and unlock its dimensional potential.
I’ve heard clinically transparent recordings that aren’t musical, and mixes with so much color they’re not authentic to the performance. I stand behind the Dangerous System because it’s the perfect balance of warmth and transparency.
As Dave honed his mixing skills over the years working with some of the country’s most elite artists across many genres, Dangerous Music played a vital role in his ability to capture the analog sounds that defined the era.
Michael has gradually built an arsenal of Dangerous gear spanning the entire System Complete—and then some. He says that his intricate Dangerous System helps him work faster and provides the sonic edge that sets him apart.
In this video series, mix engineer and producer Michael James discusses how he leverages the Dangerous Music COMPRESSOR on the vocal, drum and mix bus.