Whether working on a solo voice or a complete stereo mix, the COMPRESSOR reigns in the dynamics effortlessly and naturally and, in many cases, so well that I questioned whether it was switched in!
All in COMPRESSOR
STORMING THE CHARTS | LUCA PRETOLESI
When you have gear that you can trust, your brain just executes ideas and you get into a creative flow. When you get into the mixing flow, you can work faster because you trust your feelings instead of thinking about the technical side.
UNLOCKING THE DANGEROUS SYSTEM - TODD WHITELOCK
I’ve heard clinically transparent recordings that aren’t musical, and mixes with so much color they’re not authentic to the performance. I stand behind the Dangerous System because it’s the perfect balance of warmth and transparency.
TRACK MIX & MASTER WITH THE DANGEROUS SYSTEM - MICHAEL JAMES
Michael has gradually built an arsenal of Dangerous gear spanning the entire System Complete—and then some. He says that his intricate Dangerous System helps him work faster and provides the sonic edge that sets him apart.
COMPRESSOR ON VOCAL DRUM AND MIX BUS - MICHAEL JAMES
In this video series, mix engineer and producer Michael James discusses how he leverages the Dangerous Music COMPRESSOR on the vocal, drum and mix bus.
MASTERING GRAMMY-AWARD WINNING ALBUMS - DARCY PROPER
How Darcy Proper uses Dangerous Music gear in her mastering chain to achieve her signature sound across genres and generations of music.
GHETTO METAL GETS DANGEROUS - DJ BLESS
DJ Bless leverages the Dangerous System to solidify his signature sound.
MIXING MULTI-PLATINUM HITS - ROB KINELSKI
How Rob Kinelski drove his Dangerous Music gear to mix multi-platinum hits for Billie Eilish and countless other artists.
NO GOING BACK - ROB CHIARELLI
GRAMMY® award-winning record producer and mix engineer Rob Chiarelli can’t imagine life without the Dangerous Music System Complete in his studio.
