“The Monitor ST is amazing, it’s really helpful for making accurate decisions at all stages of the recording and mixing process.”

Phil Greiss, Producer and engineer

“Control of the final summing process lets me deliver better mastering results. I love all the Dangerous Music equipment.”

Noël Jackson, Mastering Engineer

"I've never in my life used a compressor where I felt confident using it on every master... until now! Plus it just looks great. Makes me smile every time I sit...

Paris Minzer, Frogtown Sound

“I know Dangerous Music’s quality products from using the Dangerous 2-Bus on every mix I do. I can’t really work without them. I love the 2-Bus.”

Mike Crehore, Co-owner and Producer at Dubway

"The DA in the D-Box has to be one of the most balanced, neutral and musical converters I have heard."

GearAutopsy.com

“This whole experience of using Dangerous Music gear for me was a giant ‘Ah hah!’ — an epiphany.”

Richard Sales, Engineer and producer

"Mixes have a clear separation between the instruments and being able to sum the bass on it’s own output, I notice a smooth consistent bass response that I wa...

Billy Mohler, Producer, Engineer, Musician

“I do not hear any sonic degradation when using the Master.”

Larry Di Vivo, Tape Op Magazine

“When I had the chance to try the Dangerous Music gear, it totally delivered on all that I had hoped for.”

Mike Wells, Mastering Engineer

“Mixing down a stereo pair [on the 2-Bus]…you'll have more headroom and dynamic range, a wider stereo spread and clearer sound…than mixing inside Pro Tool...

Barry Rudolph, Mix Magazine

Dangerous Music Products In Demand at Busy Music Production Group

Wednesday, Apr 09, 2014

With top producers & songwriters at ‘The AND Group’ already using Read More

Source Review from Digital Audio Directions

Friday, Mar 28, 2014

Popular HiFi blog Digital Audio Directions reviews the Source. Click for Read More