Wednesday, Jun 25, 2014
Source de Dangerous Music: El sistema de monitoreo para estudios móviles. Read More
"Dangerous Music is one of the reasons my studio delivers a killer sound that grants the edge on the competition."
Alberto Rizzo Schettino, Engineer
“Audio quality is clearer …with the ST…than our console ever let us hear before.”
Larry Crane, TapeOp Magazine
“I haven’t missed having the console. Using the Dangerous Music setup is cleaner and faster - a lot less to do, and a lot less worry. You turn the Dangerous...
Duncan Sheik, Recording Artist, Composer
“For 5.1, the Monitor ST/SR is exactly what I was looking for. It offers everything I need and more. It sounds great and works like a charm!!”
Michael H. Brauer, Mix Engineer
“The Dangerous 2-Bus changed my whole life, it truly did. I have no issue with ever going back to a big console again!”
Ryan Greene, Producer/Engineer
“The beauty of this design is that it crams a ton of options into an incredibly great sounding, easy-to-use device.”
F. Reid Shippen, TapeOp Magazine
"The fact that I get two vital pieces of hardware in one without sacrificing any quality makes the D-Box a must-have."
David Hodges, Producer
"The 2-Bus offers every person that's ever wondered or dreamt about working on a large format console that advantage of actually having that sound, that headroo...
Junior Sanchez, Producer
“Dangerous Music really got it right with the Dangerous Master.”
Andrew Mendelson, Mix Magazine
“I would argue many of us have not ever experienced the natural sweetness and truth of great playback system like the ST.”
Alex Oana, AudioMedia
Atlanta-based electronic music and synthesizer wizard switches his Read More
Andy Meyer talks about how he uses the Bax EQ to improve his tracks when doing live mixes for artists like Justin Timberlake and Motley Crue.