Wednesday, Oct 30, 2013
Almost ten years ago, composer and producer PJ Hanke realized that Read More
“With the D-Box summing I spend less time with my tracks ‘pulling teeth’ trying to get the sound right than with mixing in the box.”
Morgan Page, Remixer
"Liaison gives you the impetus to rethink how you record, mix, and master your music"
Andy Hong, Writer/Reviewer
“The Monitor ST is the heart of the studio as it controls all of my signal flow and monitoring.”
Dirty South, Remixer
“The Dangerous Music equipment is the centerpiece of my mixing rig. Everything I do goes thru a Dangerous Monitor, 2-Bus, Master and BAX EQ.”
Fab Dupont, Mix Engineer
“The ST/SR system works very well indeed and sounds completely clean and transparent.”
Hugh Robjohns, Sound on Sound
"This has been the single most worthwhile piece of gear I ever bought."
Ilia Kobrinsky, Producer/Engineer
"I use gear that sounds good to me. The Monitor ST and 2-Bus LT have been great purchases for our Mix Room!"
Ray Benson, Musician/Artist
"The Dangerous Music 2-Bus is one of the reasons my studio delivers a killer sound that grants the edge on the competition."
Alberto Rizzo Schettino, Engineer
"...it's like 3D, even coming from behind you. You get none of that with a typical digital live console."
Horace Ward, FOH Engineer
“With the Dangerous gear, you can keep using your “inside-the-box” mixing process (I love using Pro Tools' automation and all of the plug-ins) and gain th...
Barry Rudolph, Mix Magazine
Mike explains how to hook up an ST/SR surround monitoring system