“The 2-Bus didn’t color the sound, but it added a huge amount of width.”

Jeff Anderson, EQ Magazine

“The Monitor ST is very clean and I know whatever goes through it is how it’s supposed to sound.”

Dirty South, Remixer

“I have never heard any EQ like this one before.”

Fab Dupont, Mix Engineer

“Set-up was much easier than multi channel controllers we’ve used before.” – Rich Tozzoli

Rich Tozzoli, Pro Sound News

“I have always favored gear that allows me to effect changes without artificially coloring the sound too much.”

Emily Lazar, Mastering Engineer

"The midrange is articulate and well defined, and the overall imaging is just massive."

Trent Thompson, Producer/Engineer

"The D-Box just immediately sounded way better to me. It was way easier to address problems in the mix or master."

Nate Wood, Mastering Engineer

“The 2-Bus has…tons of headroom—about double what I would get from my console.”

Jeff Anderson, EQ Magazine

“I know reviews are supposed to be impartial, but the bottom line is that I currently have the ST in my studio, and I’m never giving it back.”

F. Reid Shippen, TapeOp Magazine

“I’m a huge fan of the Dangerous Master’s S&M circuitry. It always seems to add an elegant width and depth to the mix"

Emily Lazar, Mastering Engineer

Composer and Sound Designer Richard Devine Switches to Dangerous DAC & Monitor ST Controller

Wednesday, Jul 30, 2014

Atlanta-based electronic music and synthesizer wizard switches his Read More

Source Review: Músico Pro (En Español)

Wednesday, Jun 25, 2014

Source de Dangerous Music: El sistema de monitoreo para estudios móviles. Read More