Dangerous Music Returns To The Grammys
Thursday, Jan 31, 2013
As the 56th Grammy Awards show approaches, multi-award-winning hardware Read More
“The Monitor has a solid and rugged feel.”
Barry Rudolph, Mix Magazine
"The Dangerous Music 2-Bus is one of the reasons my studio delivers a killer sound that grants the edge on the competition."
Alberto Rizzo Schettino, Engineer
“I love all the Dangerous Music equipment. Being able to use the computer and still get the analog sound is the best thing for me and my clients.”
Noël Jackson, Mastering Engineer
“The beauty of this design is that it crams a ton of options into an incredibly great sounding, easy-to-use device.”
F. Reid Shippen, TapeOp Magazine
“The Dangerous Music equipment is the centerpiece of my mixing rig. Everything I do goes thru a Dangerous Monitor, 2-Bus, Master and BAX EQ. Everything.”
Fab Dupont, Mix Engineer
"I feel like I have brand new speakers."
Dustin Burnett, Mixer / Producer / Songwriter
“I cannot imagine working without the Dangerous Master.”
Larry Di Vivo, Tape Op Magazine
“Using the Monitor was completely transparent to my mixing process.”
Barry Rudolph, Mix Magazine
“The BAX EQ gave me a ‘foot’ like no other EQ I have does.”
Dave Kutch, Mastering Engineer
“The Dangerous gear has certainly created an advantage. Another reason we have been able to establish ourselves in a highly competitive field is that aside fr...
Emily Lazar, Mastering Engineer
2012 was a big year for mixer F. Reid Shippen, having taken home two statues Read More
As the 56th Grammy Awards show approaches, multi-award-winning hardware Read More
Fab explains how to use the Liaison in a stand-alone mastering scenario.