“I’m a snob when it comes to speakers. I’ve tested pretty much every monitor controller and nothing comes close to the Monitor.”

Robert Carranza, Mix Engineer

"Effortlessly transparent and accurate, yet still musical and enthralling: all the characteristics that define top-flight analogue circuitry."

Hugh Robjohns, Sound On Sound

“The summing of electric currents in analog is not the same as the summing of numbers In-the-Box. I don’t know how to explain it, but I can hear it.”

Phil Greiss, Producer/Engineer

“I always use the BAX EQ as the beginning of my chain... and sometimes I only need the BAX. I like the way it’s designed because it’s very musical"

Antoine "Chab" Chabert, Mastering Engineer

“Between SSL, in-the-box and 2-Bus… in blind tests…it was a unanimous decision that the Dangerous mixes beat out everything.”

Gina Fant-Saez, Mix Engineer

"First rate D/A... punch, depth, and clarity in the summing section and just the features I need."

Ryan West, Mix Engineer

“The ST has… impeccable audio fidelity credentials…and…extremely well thought out features.”

Rob James, Resolution Magazine

“For 5.1, the Monitor ST/SR is exactly what I was looking for. It offers everything I need and more. It sounds great and works like a charm!!”

Michael H. Brauer, Mix Engineer

"With the Source as my D-to-A, I’m hearing my mixes EXACTLY the way they came off the console, and because of the variety of inputs and routing possibilities ...

Alan Evans, Producer, Musician, Engineer

“The beauty of this design is that it crams a ton of options into an incredibly great sounding, easy-to-use device.”

F. Reid Shippen, TapeOp Magazine

Mastering Engineer ‘Chab’ Gets Even More Dangerous in Paris

Tuesday, Dec 02, 2014

Dangerous Music equipment used extensively by Engineer Antoine Chabert Read More

Mastering Engineer Colin Leonard Gets Dangerous in his Highly Customized Analog Studio ‘SING Mastering’

Wednesday, Oct 29, 2014

Mastering engineer Colin Leonard works a lot with major record labels on Read More