Friday, Oct 24, 2014
Tape Op Magazine does an in-depth review on the Dangerous Compressor. Read More
"Smart Dyn mode handles loud transients seamlessly, almost negating the need for a separate limiter."
Hugh Robjohns, Sound On Sound Magazine
“Audio quality is clearer …with the ST…than our console ever let us hear before.”
Larry Crane, TapeOp Magazine
"It kept the bass sounding raw and natural, yet thickened it up—not with added tone, but tight control. Very cool!"
Paul Vnuk Jr., Recording Magazine
"The 2-Bus offers every person that's ever wondered or dreamt about working on a large format console that advantage of actually having that sound, that headroo...
Junior Sanchez, Producer
“I love the Dangerous Music gear.”
DIrty South, Remixer
"The sound of the signal path through the Dangerous Compressor, and the quality of the sound even when you just deploy the gain, is really quite lovely."
Jonathan Wyner, Mastering Engineer
"The Monitor ST is actually an education in doing it right. The guys at Dangerous obviously designed this thing from years of experience."
Chris Bialuski, President, Recording.org
"Mixes have a clear separation between the instruments and being able to sum the bass on it’s own output, I notice a smooth consistent bass response that I wa...
Billy Mohler, Producer, Engineer, Musician
“The ST gave me a much cleaner, deeper picture of my reference mixes.”
Eli Crews, Electronic Musician Magazine
"The most remarkable feature is its uncanny ability to push the melodic elements of the mix forward while maintaining all the separation in the low end, which a...
Greg Calbi, Mastering Engineer
Mastering engineer Colin Leonard works a lot with major record labels on Read More
Fab shows us how to De-Ess a sibilant vocal