Whether working on a solo voice or a complete stereo mix, the COMPRESSOR reigns in the dynamics effortlessly and naturally and, in many cases, so well that I questioned whether it was switched in!
Join marek stycos Saturday, 21 Oct at 6pm at Atlantis Studio Amsterdam for an intimate exploration of the modern hybrid workflow with Dangerous Music and Chameleon Labs
Upgrade your vintage D-BOX or 2-BUS-LT to today’s cutting edge sonics with this limited time trade in and trade up program
The Audio Engineering Summit for the Carolina's invites independent audio engineers looking to grow in their career as a professional.
The Audio Alchemist Roadshow is rolling into a studio near you! Get your hands on the tonal twisting and taming tools that only Dangerous Music can bring to the party.
I’ve loved working with the 2-BUS-XT… I still hear a benefit when using good outboard. Once I’m there, it’s great to have the option of ultra‑clean, quiet summing, and it doesn’t get cleaner and quieter than this.
When you have gear that you can trust, your brain just executes ideas and you get into a creative flow. When you get into the mixing flow, you can work faster because you trust your feelings instead of thinking about the technical side.
Join us Tuesday September 6 in Berlin or Thursday September 8 in Cologne to reveal Hi Def conversion, summing, monitoring & outboard featuring Dangerous Music and Audio Outlaw marek stycos
The 2-BUS-XT 16 channel analog summing mixer leverages identical technology from the hybrid studio game-changing 2-BUS+ to sum your music and unlock its dimensional potential.
I’ve heard clinically transparent recordings that aren’t musical, and mixes with so much color they’re not authentic to the performance. I stand behind the Dangerous System because it’s the perfect balance of warmth and transparency.