Ted Trimble describes upgrading from a UA/SSL-based setup to a cohesive Dangerous Music system after realizing “you can’t mix what you can’t hear.”
Sylvia’s Producers Lounge features deep, unscripted conversations with some of the most respected names in audio—including Chris Lord-Alge, Just Blaze, Andrew Scheps, Piper Payne, and more.
Legendary musician and producer Edgar Winter, known for the genre-defining hits “Frankenstein” and “Free Ride,” recently credited the Dangerous MONITOR-ST with reviving his studio’s sonic clarity—and his creative momentum.
Dangerous Compressor delivers polished, open sound and unmatched clarity—even under heavy compression. Now it’s MixbusTV-approved.
Join us at Superbooth 2025 in Berlin and experience the power, precision, and analog soul behind the world’s most trusted mixing and mastering gear.
A detailed, hands-on review praising the CONVERT-AD+ and CONVERT-2 for their usability, sonic clarity, and tasteful analog color.
Vintage King’s latest guide walks through system setup, calibration, and best practices for building an immersive system using Dangerous Music and Ex Machina monitors.
Whether working on a solo voice or a complete stereo mix, the COMPRESSOR reigns in the dynamics effortlessly and naturally and, in many cases, so well that I questioned whether it was switched in!
Join marek stycos Saturday, 21 Oct at 6pm at Atlantis Studio Amsterdam for an intimate exploration of the modern hybrid workflow with Dangerous Music and Chameleon Labs
Upgrade your vintage D-BOX or 2-BUS-LT to today’s cutting edge sonics with this limited time trade in and trade up program
Mix Better, Faster & Simpler with the Dangerous 2-BUS+
2-BUS+ Paralimit | What it Does & DOESN'T Do...
Why the Dangerous Music COMPRESSOR Belongs on EVERY Mix
Dangerous Music 2-BUS+ | The Summing Console That Mixes Everything