The Dangerous Source provides the critical link between your ears and the music. Every tracking and mixing decision hinges upon what you hear: how to locate the microphone’s sweet spot for the perfect vocal, where to place the panning to define each instrument’s space, creating the perfect marriage of kick and bass in the track…
Plug in two pairs of headphones and get inspired with a Dangerous caliber headphone amp.
Select any of the four sources individually or at the same time- plug your iPod into AN2 and jam along in AN1.
Listen to any combination of sources from either section. For example, let the singer hear their own personal headphone mix from the AN2 input, while you engineer the real mix, coming from the USB input.
There’s even a line level control room output, mirroring the speaker selector for dubbing, sampling or running external meters.
Switch between two sets of speakers... or use one output for a subwoofer... or play them both at once to blow up the neighborhood.
Built for life on the road, slide the Source into your backpack and hit the streets.
Input 1 to Selected Line Out and Speakers:
Frequency Response: +0, -0.5dB from <10 Hz to >80 kHz
THD+N: < 0.0025% @+4dBu
IMD (SMPTE): < 0.0025% @ +4dBu
Crosstalk rejection: >108dB
Noise: < -93 dB, unweighted
NOTE: Speaker outs can run at -6dB (factory setting) or unity gain (remove jumpers 3 and 4)
Maximum input level: > +26 dBu
Input 2 to selected line out and Speakers:
Frequency Response : +0, -0.5dB from <10 Hz to >80 kHz
THD+N: < 0.0025% @ +4dBu
IMD (SMPTE): < 0.0026% @ +4dBu
Crosstalk rejection: > -98dB
Noise: < -90 dB, unweighted
NOTE: Input 2 can run at -10dBV or -16dBV (by setting JP1 and JP2. Remove for -10dBV)
Default factory setting is -16dBV to accommodate 1/8” headphone outputs of iPhones and cell phones
Frequency Response: +0, -0.5dB from <10Hz to >50kHz
Outputs:
The meter and speakers outputs are fully balanced and 600 ohm drive capable to >+26dBu.
Volume knobs track better than +- 0.5dB from unity to -40dB.
The headphone amp can easily drive several sets of cans.
Maximum output level: > +26 dBu
Shipping weight (in carton): 7 lbs.
Dimensions: 12 3/4" Wide x 8" Deep x 1 5/8" High
Digital inputs:
The AES inputs lock from 32kHz to 192kHz sample rates with the following: <0.004% THD+N
-0.2dB at 10 Hz and 22kHz (48kHz sample rate)
-0.2dB at 10Hz and 34kHz (higher rates)
Crosstalk Rejection: >103dB
Power Supply: 12 volt, 2 Amp (Part number PSU-SRC)
Optional Rack Kit: SRC (Source Rack Kit), $49.99
USB Compatibility:
Mac: Requires Mac OS 10.6 or higher for driverless plug and play
PC: Requires a driver for Windows operating systems up to Windows 7. *Not currently compatible with Windows 8.
Warranty: Free 2 year extended warranty with online registration.
Standard warranty: 90 days parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications/attempted repair by unauthorized technicians.
Manuals
Source Manual
Setup Documents
How to Aggregate the Source
Setting Up Source with Traktor
Other
Source Chop Shop/Fact Snack
Windows USB Driver (not compatible with Windows 8)
Setup Diagrams
2-Bus LT with Source
Source Mobile Laptop Setup
Source Simple Tracking Setup
Source Speaker Options
Source Talkback Options
"This has been the single most worthwhile piece of gear I ever bought."
Ilia Kobrinsky, Producer/Engineer
"The clarity from the conversion and the low end just floored me. I don't think I'd want to mix anything without monitoring through the DAC and signal path of t...
Ilia Kobrinsky, Producer/Engineer
"One of these Dangerous DACs is worth the price of admission alone, and having two is almost ridiculous."
Thom Monahan, TapeOp Magazine
"The low end is tight and punchy. The mids and highs are extremely detailed and musical. The stereo separation is incredible. I find myself using less EQ in mix...
Alan Evans, Producer, Musician, Engineer
"The Source's fidelity is open and uncolored but seriously musical. I loved listening to music through the Source and just found myself wanting to crank it all ...
Thom Monahan, TapeOp Magazine
"...this thing sounds so good, I want to go back and re-mix years of music"
Alan Evans, Producer, Musician, Engineer
"My jaw dropped! Night and day! I'm hearing things I never knew existed! Increased depth of field and stereo horizon! Just...wow!"
Aaron Symonds, Film Composer
"With the Source as my D-to-A, I’m hearing my mixes EXACTLY the way they came off the console, and because of the variety of inputs and routing possibilities ...
Alan Evans, Producer, Musician, Engineer
"I really think this is a great box for just about any setup that needs a reliable, high-quality monitoring router."
Thom Monahan, TapeOp Magazine
"If you're running around tracking on the fly, or you're a touring DJ or electronic artist, this unit would be indispensable."
Thom Monahan, TapeOp Magazine