The Dangerous Source provides the critical link between your ears and the music. Every tracking and mixing decision hinges upon what you hear: how to locate the microphone’s sweet spot for the perfect vocal, where to place the panning to define each instrument’s space, creating the perfect marriage of kick and bass in the track…
Plug in two pairs of headphones and get inspired with a Dangerous caliber headphone amp.
Select any of the four sources individually or at the same time- plug your iPod into AN2 and jam along in AN1.
Listen to any combination of sources from either section. For example, let the singer hear their own personal headphone mix from the AN2 input, while you engineer the real mix, coming from the USB input.
There’s even a line level control room output, mirroring the speaker selector for dubbing, sampling or running external meters.
Switch between two sets of speakers... or use one output for a subwoofer... or play them both at once to blow up the neighborhood.
Built for life on the road, slide the Source into your backpack and hit the streets.
Input 1 to Selected Line Out and Speakers:
Frequency Response: +0, -0.5dB from <10 Hz to >80 kHz
THD+N: < 0.0025% @+4dBu
IMD (SMPTE): < 0.0025% @ +4dBu
Crosstalk rejection: >108dB
Noise: < -93 dB, unweighted
NOTE: Speaker outs can run at -6dB (factory setting) or unity gain (remove jumpers 3 and 4)
Maximum input level: > +26 dBu
Input 2 to selected line out and Speakers:
Frequency Response : +0, -0.5dB from <10 Hz to >80 kHz
THD+N: < 0.0025% @ +4dBu
IMD (SMPTE): < 0.0026% @ +4dBu
Crosstalk rejection: > -98dB
Noise: < -90 dB, unweighted
NOTE: Input 2 can run at -10dBV or -16dBV (by setting JP1 and JP2. Remove for -10dBV)
Default factory setting is -16dBV to accommodate 1/8” headphone outputs of iPhones and cell phones
Frequency Response: +0, -0.5dB from <10Hz to >50kHz
The meter and speakers outputs are fully balanced and 600 ohm drive capable to >+26dBu.
Volume knobs track better than +- 0.5dB from unity to -40dB.
The headphone amp can easily drive several sets of cans.
Maximum output level: > +26 dBu
Shipping weight (in carton): 7 lbs.
Dimensions: 12 3/4" Wide x 8" Deep x 1 5/8" High
The AES inputs lock from 32kHz to 192kHz sample rates with the following: <0.004% THD+N
-0.2dB at 10 Hz and 22kHz (48kHz sample rate)
-0.2dB at 10Hz and 34kHz (higher rates)
Crosstalk Rejection: >103dB
Power Supply: 12 volt, 2 Amp (Part number PSU-SRC)
Optional Rack Kit: SRC (Source Rack Kit), $49.99
Mac: Requires Mac OS 10.6 or higher for driverless plug and play
PC: Requires a driver for Windows operating systems (available in downloads section)
Warranty: Free 2 year extended warranty with online registration.
Standard warranty: 90 days parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications/attempted repair by unauthorized technicians.
2-Bus LT with Source Antelope Orion, Source, & 2-Bus LT (x2) Apollo 16 with 2-Bus LT & Source Aurora 16 with 2-Bus LT & Source Source Mobile Laptop Setup Source Simple Tracking Setup Source Speaker Options Source Talkback Options
"The Source is, quite simply, superb. It easily matched the resolution, transparency and detail of my reference monitor controllers."
Hugh Robjohns, Sound On Sound
"I noticed a profound improvement in detail when I added the Source - being able to hear problems and overall a much more pleasant listening experience. I write...
Dan Black, Producer
"I noticed a profound improvement in detail with the Source, it was like a veil was lifted."
Dan Black, Producer
"The Dangerous Source changes how you hear your work in a big way and reveals the information you need to create a truly informed and inspired mix."
Joe Mullen, Musician, Engineer, Writer (Professional Sound)
"From the second I plugged it in I could tell it was very pristine and transparent. The low frequencies feel tighter and less intermingled with the other freque...
Joseph Fraioli, Sound Designer
"Dangerous has a reputation for gear that’s solidly built and sounds amazing; that sums up the Source in a nutshell."
Mike Metlay, Recording Magazine
"I instantly heard lots of detail, the Source made the music instantly a lot less fatiguing. I am also able to work at a lower volume and still be 'into the vib...
Dan Black, Producer
"The Source's fidelity is open and uncolored but seriously musical. I loved listening to music through the Source and just found myself wanting to crank it all ...
Thom Monahan, TapeOp Magazine
"My jaw dropped! Night and day! I'm hearing things I never knew existed! Increased depth of field and stereo horizon! Just...wow!"
Aaron Symonds, Film Composer
"The low end is tight and punchy. The mids and highs are extremely detailed and musical. The stereo separation is incredible. I find myself using less EQ in mix...
Alan Evans, Producer, Musician, Engineer