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REVIEWS Mix
Magazine ProSoundWeb.com Excerpt: Prosound
News
DANGEROUS
TALK "I can't believe it's actually happened! The Dangerous 2-BUS is the solution to all the problems I've had mixing in Pro Tools. It gives me wider, taller and deeper soundscapes and an overall musicality that allows me to flow through a mix and let the music speak. Now I've got all the tools of modern digital recording but with a fat analog console sound. No more Neve envy." -Alain Johannes (Chris Cornell, Live, No Doubt) "I experienced a huge leap foward in the quality of my mixes when I added the 2-BUS to my studio... It's like breaking the mix out through a high-end console, but without the hassle and expense, not to mention the noise......." - Jesse Cannon (Misfits, Bad Wizard, Dalek) "I'm getting fantastic mixes straight out of my computer since I started using the Dangerous 2-BUS. There's more headroom than I know what to do with, and the computer busses aren't folding up like origami anymore. This is truly a great product, and a real alternative to the outboard mixing console. The Monitor is as perfect and flexible a unit as I've ever used. There are so many ways to listen, and the sound is wide open. I love the converter, and the digital thru ports let me listen and buss without thinking about it. The stepped volume control is luxurious, and actually sounds the same at any listening level. I'd recommend this unit to anyone." - David Kahne (Paul McCartney, Fishbone, Sugar Ray) "The first time I used the 2-BUS in my studio, it was like a veil was taken off of the mix. The digital masking that I had learned to live with was gone, and every instrument sounded exactly the way it was supposed to sound. The image restoration was stunning. I have to say my jaw dropped when I heard it. In fact, I liked it so much that I bought the Dangerous Monitor too.Now I have to go and remix everything. Thanks guys. Amazing!" - Jim Chapdelaine ( Paula Cole, Dana Pomfret, Feathermerchants) "There are very few peices of gear that 'change your life.' Pro Tools was one. The Dangerous 2-BUS is another. The difference between digital and analog summing is profound. Thanks to the guys at Dangerous, we now have the best of both worlds - the convenience of digital with the musical quality of analog. Welcome to the studio of the future." - Joe Mendelson (NBC Television, The Trey Gunn Band, Ford Motor Company)
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